Liangfeng Kaze: The "Countless Reviews" Creator Who Turned Anime Deduction into a Bilibili Institution

Liangfeng Kaze, whose real name is Chen Yujia, is a Chinese anime and gaming content creator and one of the most recognizable figures in Bilibili's animation section. Born on November 18, 1991, in Shanghai, he graduated from Jinan University before beginning his video creation career in January 2016 with an AMV (anime music video) titled "Only to Realize I Liked You, But It Was Already Too Late." Over the following decade, he transformed from a niche AMV editor into one of the platform's most durable and influential creators, known primarily for his "Countless Reviews" (阅片无数) series, which has become a defining format in Chinese anime commentary. As of early 2026, his Bilibili channel has over 7 million followers, and his videos have accumulated hundreds of millions of views across more than 1,500 uploads. He has been named to Bilibili's annual Top 100 UP Creator list three times, in 2019, 2020, and 2022, and he received the platform's Danmaku Popularity Award in 2020, a recognition tied specifically to the interactive comment culture that defines Bilibili's community.

Liangfeng Kaze's path to becoming one of Bilibili's most respected animation creators was gradual rather than meteoric. His early work consisted primarily of AMV edits, a genre in which creators synchronize anime footage with music to create emotional or dramatic montages. These videos, released under the series title "Liangfeng's Comedy Theater" (凉风滑稽小剧场), established his reputation for sharp editing instincts and a distinctive sense of humor. But it was the launch of the "Countless Reviews" series in 2019 that transformed his career. The format was deceptively simple: viewers would send him descriptions, screenshots, or fragments of anime they could not identify, and he would use his encyclopedic knowledge of the medium to track down the source. A viewer might remember only a single frame, a character's hairstyle, or a half-forgotten plot point; Liangfeng Kaze would reconstruct the full context from these fragments, often identifying obscure OVAs, vintage series, and forgotten films that had been out of circulation for decades. The series exploded in popularity, driving his follower count from approximately 2 million to over 5 million within a single year, and it remains the cornerstone of his channel to this day.

What distinguishes Liangfeng Kaze's content from other anime commentary on Bilibili is the combination of forensic deduction and genuine emotional investment that he brings to every episode. The "Countless Reviews" format is not merely a trivia game; it is an exercise in collective memory and cultural preservation. Many of the series he identifies are works that have never been officially released in China, that exist only in low-quality fan subtitles, or that have been effectively forgotten by the mainstream anime community. By tracking them down and presenting them to his audience, he functions as a kind of archivist of anime's overlooked corners. His commentary is characterized by a warm, conversational delivery that avoids both academic detachment and fanatical enthusiasm. He treats his viewers as collaborators in a shared project of discovery, and the interactive nature of the format—viewers submit queries, he responds with solutions—creates a sense of community that is rare in a creator-audience relationship. His other series, including "What's Up with New Anime" (新番咋了), "What's Up with Chinese Animation" (国创咋了), and "Fan Q&A" (粉丝问答), extend this collaborative spirit into seasonal reviews, industry analysis, and direct engagement with his audience.

Among his most representative works are episodes of "Countless Reviews" that have accumulated over 13 million views, including "My Wife Is Still in the Gacha Pool" and "The Girl Confessed on the Spot to Stop a Guy from Jumping." These titles, which blend anime fandom terminology with everyday scenarios, exemplify his ability to make the search for an obscure anime feel like a shared adventure rather than a solitary research task. His 2020 video "I Went to 'Join the Army'" documented his participation in a national defense education program organized by the Shanghai Garrison Command and Bilibili, in which he experienced military life and shared it with his audience. The video accumulated over 8 million views and demonstrated his willingness to step outside the anime niche into broader cultural and civic engagement. His 2025 collaboration with the Dejiang Nuo Opera cultural preservation project in Guizhou Province further extended his reach, as he produced a documentary about the endangered ritual theater tradition for an audience that had never encountered it before.

Liangfeng Kaze's platform achievements reflect both his sustained popularity and his institutional recognition. His three Top 100 UP Creator selections—2019, 2020, and 2022—place him among a select group of animation creators who have achieved repeated recognition over multiple years. His 2020 Danmaku Popularity Award acknowledged his unique relationship with Bilibili's comment culture; his videos generate tens of thousands of danmaku messages per episode, as viewers collectively participate in the identification process alongside him. His follower count has fluctuated over the years, reaching a peak of approximately 7.6 million before settling at around 7 million as of early 2026, a figure that still places him among the platform's most-followed animation creators. His commercial collaborations include partnerships with major game companies and brands targeting the anime demographic, and his live streaming activities have built a separate audience of viewers who value his real-time commentary and interaction.

The broader social significance of Liangfeng Kaze's career lies in his demonstration that niche expertise can be a foundation for mainstream success. Anime is often treated as a subculture with limited appeal beyond its dedicated fanbase, but Liangfeng Kaze's ability to attract millions of viewers to videos about obscure OVA identification suggests that the desire for connection, discovery, and shared memory transcends any particular content niche. His work has also contributed to the preservation of anime history in China, creating a searchable, accessible archive of series that might otherwise have been lost to obscurity. At the same time, his career has not been without controversy. In April 2021, he uploaded a video that functioned as a tutorial in "doxxing"—using publicly available information to identify the location where a photograph was taken, at the request of a viewer who claimed to be helping a friend. The video, which accumulated over a million views before being deleted, drew widespread criticism from media outlets and viewers who argued that it demonstrated techniques that could be used for harassment or privacy violations. Liangfeng Kaze issued a public apology, stating that he would not re-upload the video and would keep it as a personal reminder of his error. The incident, while serious, did not derail his career, and his subsequent work has been characterized by a greater sensitivity to the ethical implications of his content.

In summary, Liangfeng Kaze represents a model of the creator as a communal archivist and detective, someone who has built a mass audience by treating the identification of obscure anime as a collective project rather than a solitary pursuit. His "Countless Reviews" series is not merely entertainment; it is a living archive of a medium's forgotten history, maintained by a creator who takes his audience's memories seriously. His three Top 100 UP Creator selections, his Danmaku Popularity Award, and his seven million followers are all evidence of the trust he has earned over a decade of consistent, thoughtful work. For Bilibili, he is a cornerstone of the animation section and a demonstration that the platform's community culture—built around danmaku, collaboration, and shared expertise—can sustain creators whose appeal is rooted in genuine knowledge rather than algorithmic optimization. For viewers, he offers a reminder that the most rewarding content is often that which helps us find what we had forgotten we were looking for.